|
The Boss GT-8

This looks such a great piece of kit, but before you read the review
on the GT-8 I want to tell you about a little problem.....
This is a great product for most things, but has a little
shortcoming that you should know about, especially if you're going
to buy one to use!
Everything about this product is good, except the 'channel' or
'patch' switching of the 'midi' controller on this unit.
I recently decided (after Roland's magazine showed how to interface
this pedal correctly in to a guitar amp) to try and get the GT-8 to
control the new Engl E670 Special Edition as seen elsewhere on this
site. The GT-8 would NOT switch the simple preset in the Engl when I
chose a new preset on the pedal. My Ground Control has been doing
these things for some time. The GT-8 would switch another effects
unit ok, but NOT the amp channel.
I pursued this right back to Roland UK. After a few weeks work off
and on with them I was ready to throw the GT-8 in the dustbin - the
support, while reasonable was just about useless. I had comments
like - we've never been asked this before, to, You're not setting it
up right, It works with the Roland amp, or the Engl is at fault.
Multiplexed with all this hogwash was the fact that all my other
pedals worked absolutely fine with the Engl. Unfortunately, I was
also underestimated by the Roland team, and their conclusion that I
did not know what I was doing was at one stage extremely annoying.
Of course, none of these little ditties was correct. But that's the
way support is on a non-pro piece of consumer equipment.
The simple fact is, that I could use ANY midi pedal and control the
Engl easily, while the GT-8, even after 14 hours of work, including
liaison with the Engl amp designer directly, I failed to make this
switch a preset on an amp. The settings were definitely correct - I
could control the volume on the amp, but that was about it.
In FACT - the solution was that Roland basically refunded me
the cost of this unit and I tried a Line 6 GT Live which,
within 5 minutes of plugging in to the Engl was switching channels
the same as every pedal I've ever owned - that is, except the GT-8.
Consider this - the GT-8 has a HARD WIRE amp switching feature and
this costs money to include on every manufactured unit worldwide.
Why include one of these particularly? Maybe that's because the midi
is not quite what it should be when it comes down specifically to
program changes.
You make up your own mind. I made mine up by getting a refund and
walking to a decently supported more pro orientated product that
works first time without ANY aggravation whatsoever - and in fact
you can do more with it! The support is better too, they know what
they are talking about - assuming you're ever going to need them,
which I doubt.
Now Here's the REVIEW:
It's funny really. I used to have a BOSS GT-5 and thought that the
GT-5 was the best bit of processing around at the time. I used to
use it live and turned off the squawky amp emulations and speaker
emulation because it was cr*p. The unit however, was built like a
brick toilet and in all other ways was great - I even used it with
my Boogie Mk IV live.
I sold it (as you do) and regretted doing so. Much
later, when the GT-6 became available, I thought that this would be
a great improvement over the GT-5, so I bit the bullet and bought
one. OOPS - one of the biggest mistakes of all time - the GT-6 was a
very poor brother of the GT-5, in fact it was so bad in my view that
within 2 months I had sold it and took the loss.
The GT-5 had great sounds (apart from the emulated
amps) and this was what made this product great. The GT-6 had bad
emulations, obscure effects and generally was not a cool bit of kit
- I would not recommend a GT-6 to anyone. You might like it, think
I'm telling porkie's etc etc. But from where I stand, using what I
know, the GT-6 was not for me, where the GT-5 was great. I still
have many friends who use the GT-5.
The GT-6 did however introduce one thing over the
GT-5 - knobs!
These knobs allowed the simpleton to quickly set up
a sound without learning anything new. i.e. the workings of the unit
- they can be difficult to get your head around if you bother to
KNOW the unit. So - an advancement - and just about the only
improvement period, on this unit.
2005 appears.... step in the GT-8 and the GT-8
Pro (rack version).
What makes this unit good :
The amp emulations are VERY good - so good in fact
that if you take a boogie (in real life) and compare it to the
sounds in the GT-8, then you are going to be shocked - because it's
damn near the same! I tried also Marshall comparisons in real life
and these were equally similar. I hate to say it, but for just
around £320.00 (street price UK) you will probably be buying a
bargain of a lifetime (at least today (February 2005).
The GT-8 can do things your boogie, Marshall,
soldano, etc etc can't do - and probably never will. For example
imagine playing your guitar and not hitting the strings hard - you
get a great effected (or otherwise) clean sound (lets call this
sound 1). Pick the strings hard (like in a solo) and you get full on
boogie (or any other amp emulation - lets call this sound 2). Not
only that - but there's also a solo button to push the sound 2
channel to where it should be. This sounds strange - and it is -
there is no comparison to any other product I have ever used that
compares to this effect.
The GT-8 of course also includes many other sounds,
effects, amps, etc - in fact around 240 in total - which is a huge
amount of ready to use sounds - and most of these are cool right out
of the box. You can save up to 80 to user presets. I save a bank to
a song usually for live work - I did this on the GT-5 also.
You still have the idiot knobs as well, so if you
want to just set up your own sounds easily then use these, I'll
admit I do....
The wah can emulate a number of wah pedals - and it
does a stonking job - just as the GT-5 did.
There are hundreds of other things good about this
unit - buy one and you will probably agree.
But what's bad :
Well, there are a number of
things. Firstly the price. For this money you can buy other products
that connect to the PC - for easier control, recording, rhythms, etc. The Digitech GNX4
does this (although I don't like the sounds).
Some of the presets are
average in my opinion - but not many. Also, unless you have the output set to desk/headphones you
can't use the speaker emulator. Not a problem to some, but I would
have liked the option for other uses.
I tried the GT-8 through the
live desk and the O2R in the studio - and I thought that it was very
nasal and sounded horrible with the speaker emulator and without.
But if you mike up an amp and cab it sounds awesome.
The unit is a straight forward
processor - no backing, recording, making tea etc in here. Compared
to other units around it's particularly spartan in this area. Not a
problem for me, it's gives exactly what I want from it - a great sound
firstly, then flexibility in use, then control, then ease of use,
then... well you get the picture.
THE QUESTION IS:
Does it allow me to sell my
Marshall 2000 and Mesa Boogie kit?
Sadly, no it does not. While
it really is as good as I say it is, the real deal in all my kit is
just better - but it feels different somehow (and my real kit
looks awesome!)
The GT-8 on the other hand is
a black box on the floor, which looks just like all the other black
boxes on the floor - and everyone and his dog is sure to have one of
these. MAKE SURE YOU PUT IT THROUGH A REAL AMP - and not one of
those tranny jobs - and you really will get the sound of your dreams
from this processor. If you sell your amp - then oops... you will be
buying another.
This review (c) Tony McKenzie
2005
|